Arthur Schopenhauer was born on February 22,
1788 in the Baltic city of Danzig into a prosperous, cosmopolitan
family. His father was a merchant while his mother was an aspiring
genius/novelist.
At age ten Arthur was sent to study in France and England
where he learned to speak both languages. He eventually learned to
speak as many
as six different languages fluently. Although he was expected to take
up in the family business, Schopenhauer decided to enroll at the
University of Göttingen, first as a medical student, then later,
inspired by the works of Kant, he switched to
Philosophy.
While most philosophers of the day were very
serious about their work, Schopenhauer, known as the "philosopher of
pessimism," made it quite plain that he regarded the world and our
lives in it as a bad joke. For him, the nature of reality was itself,
horrific.
In his masterpiece The World as Will and Representation, Schopenhauer
put forth that the world, as we
experience it through our senses, consists of representation or mere
phenomena as was depicted by Kant.
That which supports this
representation, however, is not the ultimate reality of things-in-themselves (noumena),
which according to Kant are unknowable, but the entire phenomenal façade
of the world. What we experience, according to Schopenhauer, is
supported by a universal Will.
The world, in effect, has two aspects, an outer
aspect revealed to our senses, and an inner aspect - the world as
Will. For Schopenhauer, Will replaces the Kantian noumenal and unknowable world of a
thing-in-itself. Likewise, our sensory experience of the world is not
our only access to it. Schopenhauer argues that 'a way from within
stands open to us to the real inner nature of things.' We have
perceptual experience of ourselves as bodies located in a world of
objects in space and time, but we also have direct experience of
ourselves as will. The phenomenal world is the appearance of Will and
the noumenal world is nothing but a world of Will. Therefore, our own
inner experience of willing is key to understanding the Kantian
thing-in-itself.
Unfortunately, it is this Will that brings about
all the misery and suffering in the world and ultimately only leads to
death. It blindly manifests itself as a constant desire and ceaseless
striving for existence. In fact, says Schopenhauer, human life is
driven by nothing but constant cravings and appetites of lust and
ambition which, when satisfied, quickly turn to boredom, only to
reawaken in other useless cycles.
There is, however, a way out from the tyranny
of the will and its trappings of egoism, and that is self-denial and
the saintly renunciation of life. Once one realizes the futility of
all life and the blind cravings of a single, cosmic Will, one can
renounce all gratification and deny the will. Only then can one can
reach a state, such as the Buddhists aspire to, Nirvana.
For Schopenhauer, the closest thing to happiness we can attain consists of
the extinction of the self.
One other way in which we can overcome the
will, according to Schopenhauer, is through the contemplation of the
arts and in particular, of music.
In the arts and music we can contemplate the universal Will
apart from our own individual strivings. In this contemplation we can
attain a measure of objectivity and relinquish the constant demands
and striving of the Will for transient, meaningless goals.
Even though behind Schopenhauer's world of
appearances lay a dismal, unrelenting and unthinking Will, his
pessimistic philosophy surprisingly ended up influencing such
disparate figures as Wagner, Freud, Tolstoy and Nietzsche.
While Schopenhauer advocated self-denial and a
stoic type of existence, he himself lived in bourgeois comfort denying
himself very little. He ate well, dressed well and enjoyed the company
of various women.